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Bio Art: Altered RealitiesBy William Myers
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A visually striking, authoritative survey of the crossover between art and biotechnology by an expert in the field
In an era of fast-paced technological progress and with the impact of humans on the environment increasing, the concept of “nature” itself seems called into question. Bio Art explores the work of “bio artists,” those who work with living organisms and life processes to address the possibilities and dangers posed by biotechnological advancement.A contextual introduction traces the roots of bio artistic practice, followed by four thematic chapters: Altering Nature, Experimental Identity and Mediums, Visualizing Scale and Scope, and Redefining Life. The chapters cover the key areas in which biotechnology has had an impact on today’s world, including ecology, biomedicine, designer genomes, and changing approaches to evolutionary theory, and include profiles of the work of sixty artists, collectives, and organizations from around the world. Interviews with eight leading bio artists and technologists provide deeper insight into the ideas and methods of this new breed of creative practitioners. 300 illustrations
- Sales Rank: #754729 in Books
- Published on: 2015-10-06
- Original language: English
- Number of items: 1
- Dimensions: 10.40" h x 1.10" w x 8.60" l, .0 pounds
- Binding: Hardcover
- 256 pages
Review
"Thoughtful and provocative, Bio Art is a compeling contribution to the biotechnology conversation." -Science
Because they cover a series of art practices but also scientific innovations and their ethical dilemmas, books about bioart often excel in either the art or the science part. Bio Art. Altered Realities shines at both: bioart's place in art history, its significance and challenges are skilfully presented and scientific concepts such as epigenetic, synthetic biology, or bacteriology are explained with clarity and efficiency. -We Make Money Not Art
From the Author
BioArt profiles contemporary art that demonstrates how advances in the life sciences and their application as biotechnology have a dislocating effect on culture. Specifically, these advances alter our notions of the self, environment, and the definition of life. Popular understanding strains to catch up with these changes while artists are detecting and vigorously responding to them, creating new images, sculpture, living material installations, video, and performance. In this way the work of bioartists echoes that of the Surrealists of the early 20th century who reacted to the new terrain of the unconscious and widespread anxiety in the aftermath of industrialized war.
About the Author
William Myers is a writer, teacher, and curator based in Amsterdam. He has worked for the Museum of Modern Art, the Smithsonian Cooper-Hewitt National Design Museum, the Guggenheim, and Genspace, the first community biotech lab in the United States. His writing has appeared in Metropolis magazine, The Architect’s Newspaper, and New York Magazine.
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